Interview With Digital and Performing Artist Diamante Murru

Interview With Digital and Performing Artist Diamante Murru
Interview With Digital and Performing Artist Diamante Murru

Diamante Murru is a digital and performing artist and a great photo manipulator. You will surely be mesmerized by the cyborg women in her digital art/paintings, which she is known for. Her work and the vision behind it would definitely draw you into looking for more of Diamante's work. This interview would give us a better insight into this artist's work process, inspiration and background info.

Can you tell us a little bit of your background as a digital artist? How did you get started?

I'm from Cagliari, where I studied art. I started painting when I was very young, but during the last year of school I found my favourite "cocktail": body painting, photography and photomanipulation!

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Does your environment/personal life influence your art? How so?

Yes, these influence my mood and then my way of relating with the creation that I'm doing at the time.

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Where do you usually get inspiration from?

I believe that inspiration often comes from the knowledge, the culture .. as well as the imaginary. However, usually, I take inspiration from everything around me..books, films, exhibitions of other artists, people I meet ... very often from my dreams!

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How would you describe your work process? Do you have any creative rituals?

Usually I've a kind of conceptual thinking, I create the image in my mind, or something similar to the idea of the concept, and I try to recreate it on the paper/photo/computer. Sometimes it ends up different from the image that I previously thought.

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What tools/medium do you use in creating your artwork?

This depends on the type of work that I must do.

At times many tools, from makeup to underwater photography; at others just photoshop.

Mostly I use Photoshop, Wacom tablet, Mac, reflex camera.

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In your experience, what are the moments that you have struggled or had difficulty in coming up with a concept? How did you overcome?

Usually the problem isn't the realization of the concept.. but the time. Sometimes I make an artwork in two days, whilst some others I create it in months and months! Indeed I have an archive of unfinished works by more than a year, who are still waiting to be concluded or altered!

Sometimes it happens that I finish a drawing after a long time, totally distorting the original idea but taking the same concept.

Perhaps the most difficult times are for commissioned works. I must start from the basic idea of my client, respecting his idea, but putting my imagination ..

so ... I live a moment of mental chaos, .. Slowly clear my mind and find a compromise between what the customer wants and my idea.

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