Doris Trejo

"Talking about the technique, I use multiple exposure, making it only with the manipulation of the film, I use a mechanical camera which allows me to manipulate the film the way I want. The process begins when I stop the film to take many exposures as I want in the same frame, so the composition is done by itself, without measurement.I made this photographs with a Nikon FM10 camera, Pro Plus 200 film and Kodak 400 film. I enjoy the grainy photographs but sometimes I try some shots with less ASA to get soft images."

 Nevena Poledica

"Those photos are made by an old analog camera Smena 8 M, using Fujicolor Superia 200 film. Using this camera, it is possible to control rewinding of the film (not only a full frame as usually, but also a parts of it), and also to make double exposure photos. During scanning films, I am merging few frames in the same time (that is a reason why those photos are so wide). In general, my work is about illusions, dreams, I am trying to explore a new aesthetic of reality. Those photos are result of an attempt to memorize freedom of certain places."​

Katarina Malnar

"I used the option multiple exposure which I have on my camera (I use the Canon 5D Mark III) and I edited them a little in Photoshop. The name of the first image is 'My soul' which represents the love for hometown. Name of the second image is 'She'. The wood inside the person represents her personality."

Aino Saarikivi

"The story behind the picture is simply that I wanted to further practice my Photoshop skills and I followed this great tutorial by Chris Spooner. I also used the same royalty free landscape scene by Samuel Rohl.

In the silhouette photography session with Joonas Kuittinen we tried to achieve an image that would stand out from the background, so he used another flash behind my other side. (Facing the camera, but behind me.) That created beautiful shadows on the face but highlighted the hair. The tool I used was Adobe Photoshop CS6.

In the Chris Spooner's double exposure tutorial the woman's skin is almost completely covered with the landscape picture and I didn't like that so much. So in my own artwork I faded out the landscape on my face and let the skin with all it's imperfections show. I think that let the picture to "breathe" more. It also enhanced the calmness of the silhouette photo.